Perspective of Otherness
2023-2026
Perspective of Otherness is a body of work by Jalen Colton Sanchez that explores the complex terrain of identity, spirituality, and cultural hybridity through the lens of mestizo (mixed) Hispanic heritage. Rooted in the concept of nepantla, the Nahuatl word for a liminal space of in-betweenness, and in the celebration of marginalized cultures, the work invites viewers to reconsider what has historically been labeled as “other.”
The body of work brings together sculptural and collage-based pieces inspired by Indigenous, African, Mexican folk, ethnographic, and tribal art. Each piece reflects Sanchez’s exploration of heritage and spirituality, serving as both a study of lineage and an offering guided by divine inspiration. The sculptures, with their intricate ornamentation and symmetrical compositions, evoke otherworldly, archaeological-like artifacts. In contrast, the collages embrace intuitive spontaneity, forming layered visual tapestries that mirror the fluid and evolving nature of identity. Together, the works seek to reclaim, recontextualize, and honor heritage and aesthetic traditions that have long existed outside dominant Western art narratives.
Sanctuary Threshold | 2026 | 14 x 17 inches | cardboard, paper clay, acrylic gesso, air dry clay, acrylic paint, pine resin varnish | This sculptural work serves as both a shrine and a psychological portal, a threshold into a personal space of rest and reflection.
Dismembered Moon: Solar Triumph | 2026 | 14 x 28 inches | acrylic paint, gouache, ink, handmade paper, inkjet printout, and acrylic varnish | This collage piece reimagines the dismemberment of Coyolxauhqui, the Aztec moon goddess, through layered symmetry, patterning, and mixed media techniques.
Stillness in Contemplation | 2026
The Mystical Jaguar | 2026 | 18 x 24 in | paper, acrylic paint, handmade paper, ink, and inkjet print out. | This mixed media collage weaves vibrant color, layered imagery, and repetition into a dreamlike tapestry centered on the powerful figure of the jaguar.
The Conversion | 2026 | 10 x 11 inches | paper, acrylic paint, laser and inkjet printout | This collage study depicts Fray Antonio Margil de Jesús who he dedicated his life to evangelizing indigenous populations and built several missions in Texas including Mission San José y San Miguel de Aguayo in San Antonio, Texas (1720)
Sun Voyage | 2026 | 8 × 12 inches | mixed media collage, acrylic paint, paper, and acrylic varnish
Where the Hunter Rests | 2026 | 7 × 11 inches | mixed media collage, fabric, ink, paper, acrylic paint, and laser printout
Marianismo | 2026 | 7 x 6 inches | mixed media collage, fabric, paper, ink, laser and inkjet printouts | This mixed media collage explores the idea of the feminine within Hispanic culture and the complex ideals of marianismo. I was inspired by the cultural expectation of Hispanic women as self-sacrificing and spiritually superior, often positioned as the moral counterpart to machismo.
The Mystical Jaguar | 2026 | 11 x 14 in | paper, acrylic paint, handmade paper, ink, and inkjet print out. | This mixed media collage weaves vibrant color, layered imagery, and repetition into a dreamlike tapestry centered on the powerful figure of the jaguar.
Mystery of Lineage | 2025 | 56 x 62 x 7 inches | foam, plaster, air dry clay, wood, and acrylic paint | inspired by pre-Columbian artifacts and architecture, this artwork represents the mystery of lineage and explores ancestral memory through a monumental form. Using mixed media techniques, I focused on ornamentation and sacred geometry to create an earthy, aged sculpture that honors forgotten ancestors and celebrates their enduring legacy.
Ancient carved figurine or sculpture with a hollow center featuring a painted human figure, showing signs of age and wear.
Sun Dreamer | 2025 | 14 x 11 inches | paper, ink jet printout, acrylic paint, and gouache | This collage piece explores the tension between strength and vulnerability within Hispanic machismo. The central figure, framed by radiant sunflowers and ancestral imagery is in a rare moment of introspection. It emphasizes placing contemplation at the heart of masculinity and leaning on deep introspection and spiritual groundedness.
Floral Ascension | 2025 | 14 x 11 inches | collage, paper, gouache, acrylic paint, ink, handmade paper, laser and inkjet printouts on paper | This mixed media collage represents the spirituality of the feminine within Hispanic culture and the complex ideals of marianismo. I was inspired by the cultural expectation of Hispanic women as self-sacrificing and spiritually superior, often positioned as the moral counterpart to machismo. Using mixed media techniques, I focused on layered symbolism and depicted the central female figure as the foundational pillar and the reason why the machismo figure has ascended to his floral throne.
The Gathering of Forgotten Forms | 2025 | 18 x 12 inches | paper, inkjet printout, acrylic paint, ink, color pencil, and gouache
Lament in Living Color | 2025 | 18 x 12 inches | collage, paper, ink, acrylic paint, gouache, color pencil, and inkjet printout | Lament in Living Color uses layered collage and vibrant hues to explore grief, memory, and resilience. Through the symmetrical arranging of imagery and architectural forms, the work transforms mourning into a luminous expression of survival and cultural continuity.
Kaleidoscope of Reverence | 2025 | 32 x 28 inches | wood, paper, ink jet print out, acrylic paint, and gouache | This piece is a two-sided hexagonal collage sculpture fusion that explores collective memory through sacred geometry. Inspired by Indigenous artifacts and natural hexagonal forms, the structure acts as a kaleidoscope, refracting reimagined histories and cultures through symmetrical, repeating imagery. By merging AI-generated elements with original artwork, the piece reconsiders ancestry as reflective, continuous, and spiritually transcendent.
Edifice Beyond Monotony | 2025 | 16 x 9 x 8 inches | foam, wood, plaster, air dry clay, watercolor, wax, and ink | This mixed media sculpture is created as a tiny monument maquette with the intentions of it being fabricated for large scale public art display.
Vestige of the Cosmic Race | 2025 | 31 x 24 x 4.75 inches | wood, foam, plaster, pvc pipe, plaster gauze, air dry clay, pewter, wax, acrylic paint, and handmade pine resin varnish |This mixed media sculpture reflects on mestizo identity and the quiet tensions of cultural assimilation. As generations pass, assimilation into the dominant culture can lead to a quiet dilution of heritage, an often unspoken loss. Inspired by the 1925 essay La raza cósmica (The Cosmic Race) by Mexican intellectual José Vasconcelos.
Cosmic Tribunal | 2025 | 22 x 31 x 6.5 inches | foam, epoxy clay, acrylic paint, paint patina | A sculptural reimagining that blends influences from Indigenous, African, Pre-Columbian, and ethnographic aesthetics through a contemporary lens. This work is the result of my interest and research into how cultures have been labeled, collected, and represented within dominant art history narratives.
Of Eyes Unblinking and Weeping | 2025 | 11.5 x 19 x 3 inches | foam. wood, masonry waterproofing paint, plaster, airdry clay, color pencil, acrylic paint, and acrylic varnish | This mixed media sculpture reflects the tension between emotional restraint and inner vulnerability. The repeated, solemn faces framed within the architectural form suggest silent endurance, where grief and emotion are held inward rather than openly expressed. Through symmetry and ornamentation, the work honors unspoken sorrow as both a burden and a form of resilience.
Giant of the Pecan Tree | 2025 | 40 x 31 x 8 inches | foam, epoxy clay, paper clay, aluminum foil, metal wire, plaster, joint compound, acrylic paint | This imagined mythological artifact draws on visual influences from Indigenous, African, and tribal art, which often express universal archetypes tied to spirituality, psychology, and the human condition. Influenced by writings of Joseph Campbell, I leaned into the idea that myths from different cultures have similarities such as the existence of giants. The figure depicted in this piece is a primordial giant, a brutish being who is filled with hubris.The figure also connects to a childhood memory of the artist’s grandfather, who told tales of a giant living atop of his pecan trees.
Sanctuary in Layers | 2025 |11.25 × 15 inches | mixed media collage, acrylic paint, ink, gouache, and laser printout
Ancestor Bloom | 2025 | 12 x 16 inches paper, acrylic paint, and laser and inkjet printout | This mixed media collage depicts a seated figure and explores ideas of higher planes of consciousness, spiritual lineage, and inner awakening. Layered textures, symbolic forms, and radiant color create a sense of movement between the physical and metaphysical realms.
Tree of Life | 2024 | 18 × 24 × 4 inches | Ceramic
Eroded and Forgotten | 2024 | 21 x 21 x 12 inches foam, plaster, air dry clay, and acrylic paint | This mixed media sculpture represents a forgotten relic from an ancient, imagined civilization, shaped by time, erosion, and memory. I was inspired by Pre-Columbian artifacts and though modest in size, it suggests the presence of something monumental. It evokes a sense of lost time and forgotten forms, balancing symmetry with a handmade quality. Eroded and Forgotten reflects an exploration of how ancient artifacts can carry emotional meaning and connect us to distant pasts.
Idolatry in the Sun | 2024 | 13 x 24 inches | paper, acrylic paint, acrylic varnish, and inkjet printouts | This mixed media collage depicts Coyolxauhqui, the Aztec moon goddess. As the sister of the sun god Huitzilopochtli, she led an attack against their mother, Coatlicue, but was defeated, dismembered, and thrown from a mountain. This piece depicts the aftermath, with her followers placing her severed head on an altar to worship.
The Voice of Heart, Rebirth, and the Two-Headed Serpent | 2024 | 16 x 48 x 0.75 inches | This mixed media collage explores cycles of growth, decay, and renewal found in the natural world. Through symmetrical patterns and layered botanical and serpent imagery, the work reflects how plants regenerate and how life continually reshapes itself. The composition emphasizes humanity’s role as stewards of nature, reminding viewers of their responsibility to protect and honor the living systems that sustain us.
Radial Reverence | 2024 | 13.50 x 15.75 inches | mixed media collage, ink, gouache, acrylic paint, inkjet and laser printout
Jaguar Dreamer: Memory of the Hunt | 2026 | 18 x 12 inches | This mixed media collage depicts a hunter reflecting on the tension between survival and remorse and the emotional weight carried by the hunter. Through layered imagery and symbolic forms, the work explores traditional ideas of masculinity rooted in strength and conquest, while revealing an undercurrent of sorrow and introspection.
Ascent and Loom | 2025 | 37 x 20 x 20 inches | foam, metal wire, aluminum foil, plaster gauze, epoxy clay, air dry clay, paper clay, and acrylic gesso | This mixed media sculpture is a maquette inspired by traditional Mexican ceramic Trees of Life, created with the intention of being fabricated for large-scale public art display
Stone and Storm, 2023, digital photo edit and print, 18 × 24 inches
The Keeper of Two and the Transcendent Third | 2024 | 11 x 14 inches | wood relief print, and ink | Edition: 5 | The Keeper of Two and the Transcendent Third explores the moral call to be “your brother’s keeper”—to protect, support, and remain responsible to one another. The two figures held within the central form suggest a bond rooted not only in care, but in shared purpose. Drawing on Aristotle’s idea of perfect friendship, the work reflects on a relationship elevated by mutual virtue and a common pursuit of the good. The surrounding form becomes both shelter and witness, holding the figures together as they try to look beyond themselves toward something greater.
Ornamental Folk | 2026 | 11 x 15 x 3 inches | metal, copper wire, aluminum foil, and acrylic paint | Ornamental Folk is a mixed media sculpture created from found discarded materials transformed into an ornamental object. Inspired by Mexican folk art and the metal embossing technique of repujado, the work challenges the idea that beauty and purpose are lost once something is thrown away. Through pattern, color, embossing, bending, and binding, scrap material is given new life, becoming an object that reflects labor, care, cultural inspiration, and the transformative power of reuse.
Sanctuary in Layers | 2025 | 11.25 × 15 inches | mixed media collage, acrylic paint, ink, gouache, and laser printout
Echoes in Indigo, 2024, mixed media collage, paper, gouache, ink, acrylic paint, paper pulp, metal leaf, and acrylic varnish.
Stone and Storm | 2023 | 8 x 10 inches | mixed media collage, ink, watercolor, color pencil, marker, and pencil
Past Projects
Explore a curated collection of our past work, where imagination meets strategy. Each project reflects our drive to deliver thoughtful, effective solutions.
Client
The Atlas Project
Year
01/01/0001
Year
01/01/0001
Client
The Echo Project

